What if schools operated as if we should all be “learners”? Part 2 #IMOOC week 3

Yesterday, our school played host to a first-ever regional workshop of 4 area schools.

About 800 educators came together to spend the day in workshops, presentations, discussions, sharings, connections all in the service of the theme of the day “Connecting for Kids.”

The premise was simple–we have a lot of education talent in the Finger Lakes region. Let’s put it together, share those resources and knowledge, and our kids can benefit.

Such things do not happen easily. A coordinated effort such as this takes time, and it takes resources. Superintendents trusted that it could come together. Such is the culture of innovation.

The vibe for the day was amazing. Everyone that I spoke with felt like they were learning, and felt like the connection between other teachers and educators inspired and re-filled those March-empty teacher tanks.

Such a day makes room for people to return to something fundamental. It allows us to become learners again. We connected for kids, but we also connected for ourselves and our passions.

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What if schools operated as if we should all be “learners”? #IMMOOC week 3

 

Analogy: “Career” vs. “Passion”; “Teacher” vs. “Learner”

It popped into my Twitter feed earlier today. A question that should be added to the list of questions asked when hiring new teachers: “How do you consider yourself a learner?”

A career in education is a long one. Some teachers may spend 20 years, or perhaps 30 or 35 years working in a classroom. Educators may move from a classroom setting, to some support role as  a department chair or leader, or in many cases, move into an administrative position.

If we see our roles only as a adults there to give knowledge, hold students accountable, assign points, it may come to feel pretty static.

And, when students aren’t interested in the class, they resist by not doing work, adults up the stakes with more rules, systems of accountability, and I’ve seen the burned out of imposing the role of the “teacher.”


Integration question: What are the principles of sustainability in ecology and environmental science and how can they be applied to the field of education


I don’t have your answer.

For me, it’s a drive to do new and different things in different ways in my classroom. To not rest on something that’s worked in the past. This means knowing that I have to learn about new techniques, approaches, methodologies and tools to make the new possible and successful.  

 

Pop Culture in Practice

This week’s Edublogs Club asked us to consider the role pop culture and pop culture texts play in our classrooms and in our instructional practices.

The Tedx Talk by Mackenzie Matheson argues that pop culture, found in media such as Disney films, provides valuable insights into our world, with narrative that comment on what gender roles are promoted and which are subverted, as well as how these narratives provide powerful socialization tools.

Thus, the use of pop culture in classrooms can be an excellent tool for student engagement and critical pedagogy in the classroom.

Like what Matheson advocates for in her talk, I’ve used Disney films to discuss how media can deliver powerful messages about gender, race, and class. However, what I’ve often found is disdain from my students in such approaches. It’s as if they’re saying, “How dare you try to despoil something from my childhood that I love.” Students want to accept pop culture at face value, to enjoy it as consumers of entertainment. They don’t want to accept that Cinderella promotes duty to cruel and unjust parents, that the little mermaid suggests that women need to change themselves to please men, or that Aladdin perpetuates stereotypes made by Western society about Arabic culture: “It’s Barbaric, but hey, it’s home!” Most of the messages in Disney films come intermixed on the screen with catchy jingles and smooth whistling from characters.

While I agree with Matheson’s ideas–not just her but with other educators who are pop culture-in-classroom proponents–that pop culture is valuable, but I guess I diverge and think that it’s not the quick fix to student disengagement or faltering motivation.

As an aside, Matheson’s talk provides some great analysis of these films. I wonder how she arrived at it. On her own? Or was that part of a classroom assignment or from someone teaching her about media analysis? Was there any research conducted? What were her sources? I have to think a classroom and teacher were in some way responsible, but we won’t know.

Also, I didn’t think her talk added up. There was analysis of Disney films, but in the end her message is identify with a character, fight your Disney battles. I didn’t seem to come together.

Bringing in media and using it is important, but I’ve also found that students access such a diverse and really fragmented array of media, that finding commonality in their tastes is near impossible.

I play, as many of my students do, video games. For weeks now, I’ve been excited to play the new PS4 game Horizon Zero Dawn; however, when I shared this with my classes, not even the gamers new what I was talking about. When I am able to talk about videogames with my gaming students, I realize that we don’t all play on the PS4. Some play on the xbox, some on PC. We play an astounding array of games and in many styles. I love learning from them and I’m inspired. But, even as gamers, we lack commonality.

It seems that we no longer, as a culture, access the same media narrative. Decades ago, there was a commonality–families sat around a radio and listened to a broadcast. And every family in each house and neighborhood was likely to listen to the same thing. Now, each person carries their own metaphorical radio around, and most have them in their pocket; however, that radio plays such a diverse range of media and programming, and that choice gives us power, but it also divides us.

No longer can we count on the idea that everyone watched the latest episode of MASH, or Friends, or Seinfeld the night before and that we can talk about it while circles around the water cooler or over bad cafeteria lunch in the teacher’s lounge. Instead, the water cooler talk revolves around the individual programming of the watcher, and an argument from each on what should be added to the other’s Netflix queue for watching. I myself have trouble remembering what media services my co-workers subscribe to: “Are you on Netflix? No? Hulu? Prime?”

The same goes for students. We can’t expect everyone to have watched PLL, or Lost or Grey’s Anatomy. They’re all watching something different. And if it’s not watching, then they’re all listening, reading, streaming, or Youtube-ing something different. If they aren’t Disney freaks, then they’re into video games or rap or ESPN.  

This makes it almost impossible to have a common framework and approach in using popular media in the classroom.

What’s important is not necessarily the media that I bring, the popular culture media, but that students might bring their own favorite kinds of media into the class space to share, and more importantly to work at evaluate, to review, to analyze, to seek out its messages.

When empowered to work with their own media choices, the results can be great for the individual student. I’ve seen great work done in analyzing gender in Orphan Black and genre mash-up in Firefly. I’ve seen them analyze depictions of masculinity in World of Warcraft. Students do great visual analysis of Seventeen magazine covers. I’ve had students create excellent histories of the Mario franchise.

Where I’ve had the most success is not with what I bring to the table, but when I give them the opportunity to select their own media and texts to work with.

A New High School Course

A recent post in my Facebook feed suggested that high schools should focus on teaching basic skills such as figuring out a mortgage payment, how to fill out a check, and writing in cursive.

I felt a tug of disdain. This kind of discussion about what should be happening in schools bothers me because the public often believe two incorrect things about public schools. First, they know what happens in schools, what is taught there, and what the curriculum is. Second, schools are default place where knowledge and skills are taught that can’t be taught in other places.

My response was to say that schools are not the dumping ground or location to fix what people perceive as the ills of society–kids not being able to write in cursive.  I was pressed to then explain where, if not schools, these things should be learned. While I don’t feel pressed to provide a solution, when I think about it, maybe a bank could teach its clients how to calculate a mortgage or write a check. And, really, when was the last time in a professional setting where you were asked to hand-write a document in cursive.  

However, my second, and hopefully more thoughtful reaction, is to ask people to recognize that our world–and particularly how knowledge is learned, constructed, found, owned, transferred–has fundamentally changed. When everyone carries a computer in his or her pocket and YouTube and Wikipedia are the largest libraries we have ever seen, knowledge has become decentralized. Self-teaching and self-instruction is new way to learn (Here’s a link to a search in YouTube on how to calculate a mortgage payment; here’s a link to videos on writing in cursive).

Accept that creativity, entrepreneurship, design-thinking, flexibility and innovation are the new skills that people entering the workforce need. If we accept the predictions that those entering the workforce may change jobs three or four times in their work-span and that the jobs they may participate in have not been created yet, then our schools, classrooms and teachers need to change from the models of education created coming out of the industrial revolution, and an 1950s, Eisenhower-ian, white, male, middle-class establishment.

However, schools and teachers are important. They are places where  students prepare for the challenges of life. Teachers are important, because they understand how to structure learning, and give people the skills to be auto-didactic. 

Here are 10 exercises and learning experiences that, I think, that 12th graders should have. The list is in no particular order. Perhaps this would be the foundation for a 1 semester class:

  1. Conduct an interview with an adult, someone they don’t know.
  2. Create and conduct a survey using online tools.
  3. Write the following: a resume, a cover letter for college application or job, a “This I Believe” essay, a letter to a state or national representative, an application for a federally funded grant or the paperwork for a small business loan and the tax forms to setup a personal business.
  4. Maintain a social media account or blog.
  5. Work, volunteer, job-shadow or complete a project for 20% of the student’s outside of class time.
  6. Learn a new skill to proficiency. Perhaps this skill should be one of student choice, and perhaps it should be a skill that they are told they need to learn. Maybe both.
  7. Teach someone a skill so that the learner is then proficient in it. As above, the learner here should, maybe, be disinterested.
  8. Be given one of the following situations and develop a protocol for solution/action: your house has burned down or a natural disaster has occurred and you must relocate, you or a family member are given a life-threatening medical diagnosis, you’ve been fired from your job.
  9. Build a family tree.
  10. Learn to code.

I work to provide many of these experiences for my students. I’m sure this list will change. I would love to hear your ideas.  

Trashing the High School English Classroom

In the traditional High School English classroom, there two ways that essays come to be assigned and written. First, the class is reading of a novel, and at the end of the unit of study, it’s time to write an essay. Second, there is a unit of study–Argument Unit, Persuasive Unit, Research Unit, Personal Narrative Unit, Comparison Contrast Unit–and the students work to produce a product towards one of these modes.

I’m going to suggest 2 different approaches to writing and re-imaginings of these traditional approaches, one I’ve tried, and the other, not.

Re-Imagining #1

My first re-imagining, and one that’s probably not a re-imagining, but just a spin on writing workshop models, is the idea that students generate their own topics and ideas for writing. However, I’m going to go much simpler. Student need just one idea or topic to write about. From there, the teacher asks the student to use that idea again and again in different genres, modes, and media forms.

While I didn’t consciously take such an approach, it happened naturally for many of my students in the second half of my English 101 class in the past semester. We started by writing information-based essays on closely related topics such as industrialized process of food production, what makes food organic, the barriers to local food economies. From there, students revised and re-purposed essays into arguments, blog posts, podcasts, infographics. They moved from information-based essays to persuasive pieces, academic research to personal letters. They took eight-page essays and cut them into 30 second Public Service announcements. They created reflective essays on their processes and used their own work as models and templates for others, students in my future classes, to follow.

A student’s struggle, often with writing, is two-fold. The first struggle is to read and to master the content of what he or she is writing about. A second struggle is then to write about it coherently.

The single topic approach may cut away with the first struggle. After a while, there comes to be an intimacy with a topic, the conversations around it, a fluency with the conversations in progress, a knowledge of the details. They develop familiarity and comfort.

Thus, they can focus on the moves of the coherent communication.

Re-Imagining #2

In this idea, the English teacher has no responsibility to create writing assignments, to figure out what students should write about, or to do any of the other traditional approaches to writing instruction as I’ve described in the introduction above.

Instead, the other High School subject area teachers are required to assign reading, and set writing tasks associated with the reading.

In the English classroom, then, the teacher works with students on these assignments. Time is provided, perhaps, to write these assignments, to process, to conference, to revise and to rewrite and to edit. As a person trained in the writing instruction, something that High School teachers in other subject areas are not and a significant stumbling block to cross-curricular writing instruction and the idea with the Common Core that “All teachers are teachers of writing,”these teachers now provide instruction on writing in particular disciplines, towards different purposes, focuses lessons targeted to student needs.

At the same time, it also solves the “All teachers are teacher of writing” conundrum in High School, because it forces math, science, history, business and art teacher to think of assessment in terms of written products.

On Joining the #IMMOOC

A scene from Friday morning:

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We were all riding a little high at the end of a hot first week of school. Kids were glad to be back. My plans were rolling out pretty smoothly: I had gotten two classes started on creating blogs, one class had started on a gamified, self-paced learning module.

I was in my classroom at the beginning of the day, greeting kids as they filed in, and I pulled out my phone, dropped it into my selfie-stick, and started snapping some picks of my class. That’s when I heard the kids:

“Is that a selfie-stick?”

“Does he have a self-stick?”

“Is he periscoping?” I was.

The students were flabbergasted that I would do such a thing. That I would take pictures of our community. That I would have a selfie-stick. That I would use technology to share the vibrant spirit of the first week.

And, while I was just trying to have some fun and to capture a little of the good feeling of the first week at Canandaigua Academy, and perhaps be slightly innovative, now that I think about it, I wonder. Should any of those thing be so shocking to students that they’d see them as novel?

Anyways, the bell rang, and we got busy with the classroom business.

Then, I got a retweet. Dave Burgess and George Couros were putting together a MOOC on Couros’ The Innovator’s Mindset. A book that inspired me this summer and fueled much of the philosophies I’m working to advance my practice. I read it as I was thinking about writing an end of the first week of school blog post, and something to dovetail with my last post: Innovation for Innovation’s Sake.

I’m excited to join the #IMMOOC. I’m hoping it will build my PLN, continue to develop my ideas around innovation, keep me honest about innovating and making and blogging as we move through the next couple of months. What a gift at the end of the first week of school.

Innovation for Innovation’s Sake

It was a great summer for writing, blogging, remaking course materials, getting ready to adopt new paradigms. I felt like I couldn’t fully let go of summer without acknowledging that, and trying to put a cap on it with a final blog post. I felt like maybe I needed to put down some goals, but then, I’m realizing that I really hate sharing goals publically. More on this below.

I left the school year, like many teachers, ready for a break. But there was something more to it than that. I had been feeling a bored, unchallenged, and not really sure what I wanted to do professionally. I’m sitting on the doorstep of twenty years of teaching, and I was asking myself questions like, What should I do for the second half of my career? Is it time to go back to school? Time to consider pursuing administrative certification? Do I need to go teach Middle School for a while? What am I really doing here? How can I keep going, perhaps for 10 or 15 more years?

And, I asked many of these questions with a great deal of trepidation. I was asking what I needed to change about myself. Change, evolution and personal growth all get good lip service particularly in the educational world. People say, What are your goals this year? How are you going to grow? Yet, we don’t have any systems in place to really enact this. I imagine that like myself, many of you keep files of old lessons, unit plans, binders of course materials. Many teachers started their years by opening files to access that first unit of the school year. Deep inside, there’s that caution: Why change what isn’t broken? Why change for the sake of change? Or, if you’re going to change something you better have a good reason!

Some of these fears, questions and doubts were reflected in Starr Sackstein’s blog for Education Weekly, “Twitter Chats Can Build Collaboration for Systemic Change.” In her blog, she draws on results of mid-career educators and their fears and doubts about their career. Please go read it here.

There are even more deeply embedded aspects of our culture and institutions that prevent change. Last week during a curriculum writing session, I suggested several ideas about changing the school day, teacher assignments, and compensation of teacher time. At each one, I heard, “The union won’t like that.”

So, inside, while I wanted to find a new direction, I was fearing change.

Even as I asked myself these questions, I still felt like I had a lot I wanted to accomplish. I knew there was more I could do for others and for myself as a person.

Still, all of this was a bit vague and shadowy. So, I was having a Dante, beginning of the Divine Comedy kind of moments.

One of the things I spent time watching this summer on Netflix (next to Stranger Things) was the second season of their show Chef’s Table, and the new iteration of the show, which focuses on France. The most powerful episode for me comes in episode 1 of season 2, focusing on Grant Achatz. In this episode, Achatz describes his need for creativity as an important part of his work, and especially for sustaining himself over the years. He’s continually reinventing recipes, his restaurant, his food, and his delivery. It’s through these changes that he finds energy and passion for his work. This theme of change and creativity is very much present in the French Chef’s Table. Go watch!

Watching this show set a path for my summer. Listening to these chefs spoke directly to me. Their thinking about their craft echoed my own. I heard my own needs to create, to innovate, to be original. When they spoke about changing, I heard a permission to do away with the old and change, not simply for the sake of change, but to change because for many people, creative, inventive revolution is necessary to feel inspired and to keep moving.

These two vocations have much in common. I can see this across so much of my practice. When I have three sections of a class and have to teach the third section the same lesson that I’ve already taught two times, I would always change it. I couldn’t do it the same way. My files, both paper and electronic, are cluttered with variations of lessons from year to year, or add-ons to units where I had a new and different idea (see my post on blowing up my IB class). Without realizing it, I’ve been reinventing and creating throughout my career, but perhaps not always cognizant of why.

Much of my summer since that late June watching of that episode of Chef’s Table has been focused on creating for myself and getting ready to help my students create in the coming months. Helping students to do this isn’t so much a goal as I new way I hope to move through the classroom spaces I want to make.

Let’s have the best year of innovation ever!

Blow It Up

It’s raining.

For several days, I’ve been trapped while working on revising my opening unit of my IB English 11 course. The opening unit is on Margaret Atwood’s dystopian Ur-text, A Handmaid’s Tale. It was a bad trapped. Like coffin buried six feet underground and running out of oxygen with mud seeping into the pine box trapped. I was ready to stop. I was ready to fall back on the old unit plan. I was ready to…yep, go all old school and traditional. You all know what that looks like: stand at the podium, point at them for a few questions, write words on the board or Smartboard, read assignments to them, collect to the in-basket.

But, this morning, my run postponed by some much needed rain falling across Upstate New York, I had that moment of clarity. Staring at the Chromebook, it finally came altogether. Maybe in the hero’s journey of unit planning and lesson design, I had the archetypal moment where the rain comes, purifies, and the sun rises on epiphany and enlightenment. Ha!

Old me did the classic AP/IB English teacher move: Pack it all in. When I taught Atwood’s book, my students studied “A Modest Proposal,” “Rape Fantasies,” “Siren Song.” We looked at satire and satirical techniques, tone, formation of tone through diction, imagery, details, language quality and syntax. We looked at conservative social movements in 1980s America. We had three essential questions that we looked at. We looked at feminism. Kids wrote a commentary and did a visual essay. We looked at current events like social movements in the Middle East and declining birth rates. Man, I was good at giving them all a lot of college level content.

After the last time I taught the book, I knew something had to change.

Oh, and I also wanted to add readings from Richard Wrangham’s Demonic Males and Gerda Lerner’s The Creation of Patriarchy. I loved all this stuff, and I was sure to impress upon my students how much I loved it. Deep down, I knew I wasn’t embracing the change.

I’ve had a lot swirling in my head around change: Starr Sackstein’s book Hacking Assessment, stuff from the Buck Institute for Project Based Learning, George Couros’ Innovator’s Mindset. I was looking to leverage the power of Schoology, my desire to flip my classroom. How to bring in Edublogs to my IB students? And, I really wanted to bring sincere inquiry to the process of learning between myself and students in my room. My understanding of from all of this is for me to stop talking and give students the opportunity to do it themselves.

How could I combine all that great stuff that I used to do with all the new approaches that I wanted to embrace? Thus, the coffin-like stuck that I found myself in the past few days.

Then, the rain came, and my run was still postponed. I was in Schoology fiddling with the calendar, unit outline, essential questions. I stopped and deleted it all.

I had to burn it down. Blow it all up.

I made a simple decision. We would look at one question in this book. The essential question were going to focus on: Is satire an effective form of political commentary to promote social change?

From this decision, and really this moment of clarity, everything else is falling into place.

The first thing that came after that was the final project. Students will create some kind of satire of a social ill or problem that they’re passionate about. They’ll integrate satirical techniques. They’ll comment on each other’s work. They’ll pick a genre for their satire and a mode to display that satire in.

From there, I was able to start to backwards design the necessary lessons, calendar and timeline, and then figure out what needed to stay and what I could cut away. Then, I was able to design a Grading Outline to show students what needed to be completed to earn a grade in each grade band.

It’s still not all done, yet. I had my moment of clarity about 90 minutes ago, and then I’ve spent about 30 minutes writing this reflection and post. I’m working on it.

Anyway, rain’s stopped. Time to go log some miles!

 

#edmakercamp

Inspired this week by Katie McFarland’s (@Katiemc827) #slc2016 Maker Challenge, and reading George Couros’ (@gcourcos) The Innovator’s Mindset, I arrived at a major brainstorm, which I’m calling #edmakercamp.

As 21st century educators, we read educational books, create Professional Learning Networks through social media such as Twitter and Pinterest, we attend workshops, we read blogs by other educators who reflect on their practice, we attend edcamps. We spend a great deal of time collecting data and information on educational practice, it becomes and kind of research where we hope that one day we can put it into practice.

Sometimes we do actually find the time to integrate that stuff into our classrooms. We write curriculum in the summer. We spend August creating a new unit. Often, we find ourselves saying, “When I have time.” We spend a Saturdays and evenings writing new lessons or making activities that evolve from our research. But, it’s not easy.

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I’m making a call for “#edmakercamp,” and here’s the idea. Pull together a group of your educational besties–those teachers who you work well with, but who will also hold all members of the group accountable for actually doing work and creating. Then, go find a work space–perhaps some classrooms, a computer lab. However, try to get away from it all and find a place for a retreat, a place where everyone can work without interruption. Fill it with laptops, cameras, paper, markers, scanners. Fill it with maker items. Stock it with everything teachers need to create for a day.

Then, fill it with teachers and administrators who are looking to make.

At #edmakercamp, the purpose is to take all the stuff you’ve been reading and learning about with education, and do the stuff you’ve been looking to do.

If you’re in need of time to think about your practice and want to grow through self-reflection, spend time writing and then blogging. Been wanting to make some Schoology resource pages for your department, do it. Looking to retool that unit on “Revolutions” in your Global class. Looking to implement the PBL in the first semester of your IB Biology class, use #edmakercamp to do it.

It’s not a research and learn time. It’s a time to put those thinkings and ideas, and to create the stuff to implement, so in the next day, weeks, months, next school year, you can pull it out and use it.

Use the group. In bringing people together, spend the first part of your edmakercamp to share, discuss. Get ideas out. What are people going to work on. What will be each campers outcome at the end of the day. Use the first part of your time to get the gears primed for work.

But then, stop the talk, and move into work time, and work as a group to be focused. Commit to quiet work time. If you’re working in groups, great, but be focused and assign someone to keep the group on task. You may need to create quiet spaces and semi-quiet spaces. Have all participants decide on a how long this block of time will be, say “We’re going to make for the next two hours.” Set a timer. Then, at the end of the block, come out of it, grab some snacks, share and discuss. Talk about what you made. After a brief rest, back into work time. 

Bring to your #edmakercamp some people who aren’t making. Bring some helpers. Some people who can scan items, take pictures. If you need a video file converted, that person can do it. This role could be played by a couple of tech-savy students, or a media specialist who sacrifices his or her work time for the benefit of the campers.

We need time as educators to not only read about innovation, but also time to prepare for those innovations and to create the materials that will be put into practice. We need to give ourselves time to reflect through our blogs and share those innovations with our networks.

Developing #digcit

This is the last of the three part series responding to the #slc2016 created by our Professional Development coordinator, Katie McFarland (@Katiemc827). The last part of the challenge was to create an assignment for students to help them develop as digital citizens.

To be honest, I really struggled with this part of the challenge. To accomplish it, I went to some of the resources Katie shared, such as Common Sense Media, and I also did the standard Google and Youtube searches. I spent time looking at the Cybraryman to see what he had on the topic, as well as looking at Kathy Schrock’s page to see what she had to say.

Part of my struggle, at this point, was that I felt completely overwhelmed. Too much stuff to wade through. Understand, there’s a lot of good stuff. It seems that Common Sense Media’s page is the go-to place for THE digital citizenship curriculum. But, once I started to look at the different strands, I thought, “What part should I do?” and “Should I do all of this?”

In the back of my mind, I had a fear. Would any of this be real for my students. I voiced as much to my colleagues: I see the need for digital citizenship for my students, in the same way I see the need to teach study skills, character education. However, often when we get into lessons about note taking and time management, we find them to be deadly dull and the kids don’t always see the benefits and applications.

So, for a couple of days, I sat and let things ferment, percolate, and then I sat in on the #slc2016 Twitter chat on digital citizenship, and things began to come together for me.

Here’s some of what helped:

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Through this student’s tweet to me, about something small like doing a Google search of the self, is one way that we can help build the digital citizen. It didn’t have to be a binder full of a multi-week curriculum. It had to be small, meaningful, discreet activities. Well-planned and with context…and, I thought to myself, making a metaphorical slap to the forhead, “You big, dummy. It’s Beginning teaching 101.”

Once past my teaching-block, the ideas began to come forth. Here’s some of the take away I’ve had this morning:

  1. Authenticity. One of the biggest problems, in a long list of problems, I see as a writing and composition teacher in our tests and in the writing assignments given to students is that they lack authenticity. They don’t present students with real world writing situations and real world audiences. Thus, students aren’t prepared to write for actual, living, breathing human beings. They don’t have a sense of how their writing might be perceived by others, how it might be physically held, where it might be found. Student writing exists in a vacuum of in basket, rubric markings, out basket, binder. However, students write all the time: on Twitter, on Facebook, on Instagram, on their phones, in text messages. And, when they write, and they do things that make us cringe–they don’t act as good digital citizens–it’s because they don’t realize that they are ineffectively communicating.
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My breakthrough last night during the #slc2016 Twitter chat.

For me, understanding my role as a teacher of digital citizenship is tied together with my role as a teacher of communication–not separate from. In essence, when I teach digital citizenship, I’m asking students to consider what they are communicating about themselves to others. Seeing digital citizenship in the context of the writing situation– purpose, audience, subject, self–brought this into focus with clarity.

2. Small, manageable bits. In my new “Media Maker” course, I’m worried about students posting content to their blogs which may be inappropriate, rash, without thought and without care for themselves or for others. And, I’ve struggled with how to make this point meaningfully to students and help them be aware of this, because it speaks to my concerns about writing above. I’m giving students the power to write about their passions and interests, and I’m giving it to students who have been writing in a vacuum. They will be writing with real purposes and audiences, I think, maybe, for the first time in their lives.

To address this, and to take on my need for teaching digital citizenship, I’m going to offer challenges to students in each of the projects of this class.

So, for example, in the first project, we will focus on digital footprints. In the next unit, as we start to look at bringing in outside sources to our writing, we’ll look at acknowledgement. Thus, digital citizenship, composition go hand-in-hand.

It was a great couple of days for me in the #slc2016 to really get motivated around these new aspects of learning and action steps for the coming fall. Time to get lesson planning.